Mab Graves |
Mab Graves, an Indianapolis based artist,
paints in the Pop Surrealism vein. Her artwork is full of
whimsy and an otherworldly, surreal essence. Graves took time out of her busy
schedule to talk with me about her artistic methods, artwork, and what it means
to be a Pop Surrealist artist.
Can you tell us a little about your
artwork, your Waifs and Strays, and your creative process?
I have all these little girls
floating around inside me waiting (not patiently) to exist.
I paint because I need to but these girls are not for me. Every piece I paint has a soul mate somewhere out in the world. Someone it utterly belongs to. I get a wild elation when they finally meet. That’s why I call them my Waifs and Strays. They are all little orphans that come out of my mind. I think of myself as a “surrogate painter”.
I paint because I need to but these girls are not for me. Every piece I paint has a soul mate somewhere out in the world. Someone it utterly belongs to. I get a wild elation when they finally meet. That’s why I call them my Waifs and Strays. They are all little orphans that come out of my mind. I think of myself as a “surrogate painter”.
I understand that you are a self
taught artist; can you tell us about your learning process?
I don’t think there was ever really
a genesis for me. I guess it started right around the time I discovered
crayons. I’ve been obsessed with drawing ever since, but I will create with
anything. Fabric, foam, fur, you give me a pile of wire and make me sit still
for five minutes and there will be a little horned wire creature coming to get
you!
I didn’t start
painting till about 4 years ago (I was shy of paints- too fluid and out of
control) but when I did, it was like discovering I had wings. It was like
meeting my soul and getting addicted.
I made myself a promise years ago:
I told myself that I would paint,
and I would keep painting till I got caught by something that
I couldn’t figure out. Then I would go to art school. I’ve been in a few situations where I’ve said “now how do I do THAT?” but to this point whether by looking, reading, or getting nose to nose in a gallery with a giant piece of art, I’ve never been faced with the ultimatum. Being an artist is all about training your body to recreate what you see in life or in dreams. Once you’ve mastered that, you’ve got it.
I told myself that I would paint,
and I would keep painting till I got caught by something that
I couldn’t figure out. Then I would go to art school. I’ve been in a few situations where I’ve said “now how do I do THAT?” but to this point whether by looking, reading, or getting nose to nose in a gallery with a giant piece of art, I’ve never been faced with the ultimatum. Being an artist is all about training your body to recreate what you see in life or in dreams. Once you’ve mastered that, you’ve got it.
Are there any artists that inspire you in your work?
If so who would they be and why?
"Into the Night" by Mab Graves |
While working on your artwork what
themes, ideas, or concepts are you exploring?
I always start with a story. I love
old fairy tales and folklore; they are a universal language and an innocent
connection we all share. Usually, as soon as I pick a story, the image is there. It gets Mabbed up instantly in my head. I don’t really know
where it comes from. I say my work is very “Grimmsical” (grim but whimsical). I
have an odd sense of humor and I try never to take anything too seriously.
There needs to be lightness to life.
"Alice" by Mab Graves |
"Candyland" by Mab Graves |
For you, what do you think the role of the
artist is?
I think every artist has a voice and their job is to speak to the handful of
people that need to hear what they are saying. This definitely does not
apply to all artists, but for me – I have a secret, it’s just for you and me. I
am going to tell a story and when you see it, you will understand it like no
one else. I paint to make people feel special, unique, and understood. I paint secret companions. And it’s not for everyone – I don’t
paint for the masses. My work speaks to certain people in a deep way. Those are
the people I paint for.
Mab’s Advice:
It requires so much more skill to be
subtle than it does to be obscene. Darkness, sadness and filth are all around
us, and I think it’s our jobs as artists to put a spin on things. I try never
to underestimate the intelligence of my audience. You don’t have to spell
everything out in black and blood to get people to understand your message. It
is very important for me to try to maintain a dignity and a subtlety to my
work. A tinted innocence.
For more information about Graves
and her artwork you can visit her website, stop by at Mab Graves Etsy shop, or follow her on Facebook.
All photos provided by Mab Graves.
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